“I paint a moment with light and shadow, and a calmness begins. I make the city quiet.”
Unique Technique Watercolor Paintings – American Artist
“I paint a moment with light and shadow, and a calmness begins. I make the city quiet.” Tim Saternow is an American painter whose watercolor paintings explore the lost and forgotten areas on the edges of the urban scene. His work encompasses the old High Line train trestle above the gritty industrial streets of New York City, the empty homesteads of Joshua Tree, California, and the dignified and genial old houses of Provincetown, on Cape Cod. Tim pays tribute to the silent histories of these places and to the lives of the people who’ve lived there.
Saternow’s newest series, House Portrait/City Portrait, are paintings of specific homes in Greenwich Village, NYC, and Provincetown, Mass.
Says Saternow, “These old buildings speak about the longevity and power of families. These houses have stories to tell.”
Saternow, trained as a set and lighting designer in theater and art director in film, has always used his design sensibilities to make paintings that tell stories of the people who live in these places.
Saternow paints large architectural landscape watercolors with a thick use of watercolor paint, playing with the tension between the illusions of depth, carefully drawn linear perspective, and an obvious play on the surface of the paper through watermarks, paint runs, blooms and spatters.
Saternow is particularly sensitive to the emotive power of light, especially the distinct light of fall and winter creating deep shadows while playing across the faces of the old brick townhouses in New York and the weathered clapboard of Cape Cod.
Tim Saternow was awarded the 2019 Fellowship with The Clark Hulings Fund, and is currently a 2020 Executive Fellow in the Clark Hulings Fund’s Art-Business Accelerator Program.
“I paint a moment with light and shadow, and a calmness begins. I make the city quiet.”
Tim Saternow is an American painter whose watercolor paintings explore the lost and forgotten areas on the edges of the urban scene.
His work encompasses the old High Line train trestle above the gritty industrial streets of New York City, the empty homesteads of Joshua Tree, California, and the dignified and genial old houses of Provincetown, on Cape Cod.
Tim pays tribute to the silent histories of these places and to the lives of the people who’ve lived there.
Saternow’s newest series, House Portrait/City Portrait, are paintings of specific homes in Greenwich Village, NYC, and Provincetown, Mass.
Says Saternow, “These old buildings speak about the longevity and power of families. These houses have stories to tell.”
Saternow, trained as a set and lighting designer in theater and art director in film, has always used his design sensibilities to make paintings that tell stories of the people who live in these places.
Saternow paints large architectural landscape watercolors with a thick use of watercolor paint, playing with the tension between the illusions of depth, carefully drawn linear perspective, and an obvious play on the surface of the paper through watermarks, paint runs, blooms and spatters.
Saternow is particularly sensitive to the emotive power of light, especially the distinct light of fall and winter creating deep shadows while playing across the faces of the old brick townhouses in New York and the weathered clapboard of Cape Cod.
Tim Saternow was awarded the 2019 Fellowship with The Clark Hulings Fund, and is currently a 2020 Executive Fellow in the Clark Hulings Fund’s Art-Business Accelerator Program.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.