Malcolm Liepke “Malcolm T. Liepke” was born in Minneapolis, Minnesota, and the unabridged honesty that comes with Midwestern roots shows up in his work. Liepke is an unapologetic realist, who paints with a smoking brush.
His images, these freshly minted portraits of women, have evolved into a patented cocktail of sensuality and draftsmanly stylishness: definitely PG-13, as much for what comes through the surface as what’s on the surface.
To depict loaded emotions, Liepke works with a loaded brush, making bold, lush calligraphic strokes that set off faces, figures and fabric, particularly in the new work, against a painterly backgrounds. Liepke remains at one cool remove from his subject, making no judgments, just observing and recording, yet he manages to bring so much excitement to his scrutiny of light and shade on the exposed flesh and features of his women – and that adorable baby – the creaminess of the paint seduces the viewer into believing not much else in the room is worth looking at. We become rapt, hopeless voyeurs in the thrall of the artist’s muses.
Liepke’s true gift, his real magic, however, is a talent for revealing something more, something evanescent: the inner life of his subjects. The artist’s primary goal is to capture emotions that vanish before they can be named or tamed. No wonder Liepke’s bravura paintings can be found in the permanent collections of the National Academy of Design, the Brooklyn Museum, and the Smithsonian, as well as in the private collections of celebrities from Barbra Streisand to Donna Karan. ─ source: tellurideinside.com | Susan Viebrock. March 4, 2010. Fine Art.
He studied at the Art Center College in Los Angeles but encountered significant obstacles in pursuit of his artistic vision. He hungered for ‘classical’ training rather than the conceptual ideas being taught. He moved to New York and began studying artists, such as Velasquez, Whistler, Chase, Vuillard and others. He says, “I learned color and composition and technique. I realized that their work was my kind of work. They were my heroes, so I became their student.” Liepke’s first one-man show was held in the mid 1980’s followed by twelve more sold-out exhibitions from New York to London to Hong Kong. His work is now in the collection of the Smithsonian Museum and the Brooklyn Museum and he is considered by many to be one of the country’s leaders in the resurgence of figurative painting today. Liepke’s themes in human terms are often very particular to solitary moments, either in sensual pleasure or poignant loneliness.” ─ Source: Artodyssey blog