Keith Haring Gallery

Icons 02 Keith Haring 1990 Painting

Icons 02 Keith Haring 1990 Painting
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Icons 02 Keith Haring 1990 Painting

Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has “become a widely recognized visual language”. Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS awareness. In addition to solo gallery exhibitions, Haring participated in renowned national and international group shows such as documental in Kassel, the Whitney Biennial in New York, the São Paulo Biennial, and the Venice Biennale. The Whitney Museum held a retrospective of his art in 1997.

Untitled (Fertility) 02 American Artist Keith Haring 1983 Painting
Untitled (Fertility) 02 American Artist Keith Haring 1983 Painting

Haring’s popularity grew from his spontaneous drawings in New York City subways—chalk outlines of figures, dogs, and other stylized images on blank black advertising spaces. After gaining public recognition, he created colorful larger scale murals, many commissioned. He produced more than 50 public artworks between 1982 and 1989, many were created voluntarily for hospitals, day care centers, and schools. In 1986, Haring opened the Pop Shop as an extension of his work. His later work often conveyed political and societal themes— anti-crack, anti-apartheid, safe sex, homosexuality and AIDS—through his own iconography.

Haring died on February 16, 1990, of AIDS-related complications. In 2014, Haring was one of the inaugural honorees in the Rainbow Honor Walk in San Francisco, a walk of fame noting LGBTQ people who have “made significant contributions in their fields”. In 2019, Haring was one of the inaugural fifty American “pioneers, trailblazers, and heroes” inducted on the National LGBTQ Wall of Honor within the Stonewall National Monument in New York City’s Stonewall Inn.

Biography

Early life and education: 1958–1979

Keith Haring was born at Community General Hospital in Reading, Pennsylvania, on May 4, 1958. He was raised in Kutztown, Pennsylvania, by his mother, Joan Haring, and father, Allen Haring, an engineer and amateur cartoonist. He had three younger sisters, Kay, Karen, and Kristen. He became interested in art at a very young age, spending time with his father producing creative drawings. His early influences included Walt Disney cartoons, Dr. Seuss, Charles Schulz, and the Looney Tunes characters in The Bugs Bunny Show.

Haring’s family attended the United Church of Christ. In his early teenage years, he was involved with the Jesus Movement. Later, he hitchhiked across the country, while selling T-shirts that he made featuring the Grateful Dead and anti-Nixon shirts. Haring graduated from Kutztown Area High School in 1976. He studied commercial art from 1976 to 1978 at Pittsburgh’s Ivy School of Professional Art, but eventually lost interest. He was inspired to focus on his own art after reading The Art Spirit (1923) by Robert Henri. This influenced his decision to leave the Ivy School.

Haring had a maintenance job at the Pittsburgh Center for the Arts and was able to explore the art of Jean Dubuffet, Jackson Pollock, and Mark Tobey. He was highly influenced around this time by a 1977 retrospective of Pierre Alechinsky’s work and by a lecture that the sculptor Christo gave in 1978. From Alechinsky work, he felt encouraged to create large images that featured writing and characters. From Christo, Haring was introduced to ways of incorporating the public into his art. His first important one-man exhibition was in Pittsburgh at the Center for the Arts in 1978.

Haring moved to the Lower East Side of New York in 1978 to study painting at the School of Visual Arts. He also worked as a busboy during this time at the nightclub Danceteria. While attending school he studied semiotics with Bill Beckley and experimented with video and performance art. Haring was also highly influenced in his art by author William Burroughs.

In 1978, Haring wrote in his journal: “I am becoming much more aware of movement. The importance of movement is intensified when a painting becomes a performance. The performance (the act of painting) becomes as important as the resulting painting.”

In December 2007, an area of the American Textile Building in the TriBeCa neighborhood of New York City was discovered to contain a Haring painting from 1979.

Early work: 1980–1981

Haring first received public attention with his graffiti art in subways where he created white chalk drawings on a black, unused advertisement backboard in the stations. He considered the subways to be his “laboratory”, a place where he could experiment and create his artwork and saw the black advertisement paper as a free space and “the perfect place to draw”. The Radiant Baby, a crawling infant with emitting rays of light, became his most recognized symbol. He used it as his tag to sign his work while a subway artist. Symbols and images (such as barking dogs, flying saucers, and large hearts) became common in his work and iconography. As a result, Haring’s works spread quickly and he became exceedingly more recognizable.

The writings of Burroughs and Brion Gysin inspired Haring’s work with lettering and words. In 1980, he created headlines from word juxtaposition and attached hundreds to lamp-posts around Manhattan. These included phrases like “Reagan Slain by Hero Cop” and “Pope Killed for Freed Hostage.” That same year, as part of his participating in The Times Square Show with one of his earliest public projects, Haring altered a banner advertisement above a subway entrance in Times Square that showed a female embracing a male’s legs, blacking-out the first letter so that it essentially read “hardón” instead of “Chardón”, a French clothing brand.[1] He later used other forms of commercial material to spread his work and messages. This included mass producing buttons and magnets to hand out and working on top of subway ads.

In 1980, Haring began organizing exhibitions at Club 57, which were filmed by his close friend and photographer Tseng Kwong Chi. In late 1981, Haring had his first solo exhibition at Hal Bromm Gallery in Tribeca.


source: Wikipedia