Hassane Amraoui

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For 20 years, this prolific artist of exceptional talent creating and exhibiting in solo and group exhibitions in the most prestigious venues in North Africa (Algeria and Tunisia especially) Africa, Europe (France) elsewhere on the mother continent Africa (in 2007, he participated in a group exhibition in Libreville, Gabon) and also the last four years, it is now the city’s cultural scene. He is among the most notable artistic diversity Montreal professionals (DAM) under the Montreal Arts Council (MAC).

He is engaged in promoting traditional pictorial language of Primitive Arts sprung from the Amazigh Berber culture and, founder of an ancient art form originated in the Mediterranean.
With this deep roots in a cross-culture inspired art of the Renaissance and married expressions Arab-Berber and black African traditions, trained modern confronted with universal expressions as painting in all the visual arts techniques, Hassane Amraoui is imposed by the quality of his works.
At Montreal, Hassane Amraoui quickly went pace with a changing cultural movement marked the seal of the diversity of cultural expressions and the resulting new professional artistic practices. Solo exhibition in Montreal, in 2012, the trip workshops, Space Grov-Art, “The disorder of Spring” in 2009 and 2010.
‘s trip workshops Building Grover. In 2008 and 2007, Open Door, culture days Grover Building, Montreal Several collective exhibition in Montreal in 2011 at the Maison de la culture cote des neiges, title: The flayed alive in the memory of the artist M’hamed Issaikhem, 3rd Spring North African cultural. View more artwork photos from the artist Hassane Amraoui

In 2010 Exhibition presented in Month Black History, efforts are all the wealth of all the Gaston Miron building. In 2009, contemporary-Africa Encadrex in Montreal (QC) Canada. 2009 Gallery-Cherif Fine Arts, Tunis. In 2008. Gallery underwater art Aquart Thetford Mines (QC) Canada
He took part in the sixth exhibition Collective Bain Mathieu in 2008. Hassane Amraoui also presented a solo exhibition entitled Where is the world? At the gallery Contemporary Crescent always Montreal in 2006. Hassane Amraoui achieved in his country of origin, Algeria, several frescoes between 15 and 40 m in caves and on rocks. Between 1997 and 2005, Hassane Amraoui exhibited in most major Tunisian and Algerian galleries, as well as the City of Paris (2001).
His works are exhibited in various public places (buildings, hotels, banks) including the Hotel Hasdrubal Prestige Djerba. There are also his works in different collections in Europe and the Arab world including paintings acquired by the buying commission of Tunisian artists to question the state.
Diploma in Arts from National School of Batna (Algeria) and the Graduate School of Fine Arts in Algiers (Algeria). Training in photography at the House of Algiers press. He also attended many training and participated in workshops on technical development, administrative in Europe and Canada.
Yves Alavo

A work (sun tribe) Hassane Amraoui was selected in 2009 for the price of intercultural contest Montreal, Abe Limonchik price. In 2010 the price of the poster contest PanAfrica Film Festival (Vues d’Afrique)

The artist Amraoui Hassane: marginal,
did you say?
By Zoubir Khelaifia
His inspiring muse is the ancestral land. It attaches viscerally him whose talent is matched art that euphoria when he begins to narrate to his canvas, brush in hand, aridity and severity of Aures, his native region . “Douar is myself, this is my school, and it will remain there for all my life, “he likes to say in his native language. This language he mastered and is Originally a mishap he talks today with the stigma at the bottom of his soul: “I received a slap because I responded by Chaoui, the only language I knew at the time, my teacher asked me the profession of my father. “This slap was so strong that he still remembers. The renowned artist is called international Hassane Amraoui. He was born in 1969 in Tifrène (Chaoui caves in the region N’gaous. He was born in the heart of the Aures, in Douar surrounded by mountains where nature subjugates both its severity by its enchanting beauty. Rural that is, he finds himself N’gaous, a town which he keeps lasting memories.
“For the first time, I discovered what was behind the mountains that surround my village. I found myself in a world that was completely foreign to me, “recalls Hassan on your
nostalgic.
His first “infancy” in the painting, he takes his mother and his father. then He had a penchant for colors. His first source inspiration: rugs and pottery made ??by . his mother “When I was little, I helped my mother to extend aurésiens carpet I kept contemplating. wonderful shapes and colors used My father, his. hand carved forms to animals rampaged gardens flee. “In addition to these two sources of inspiration, emulation is born between him and his older brother, designer of his condition. “I stole a box oil painting that belonged to my teacher. then I started to paint landscapes in my village, “says Hassan says that his grandfather was greatly expressed interest in these paintings, who
was illiterate.
Forged in the harshness of life!
From there was born this penchant for painting that will later Amraoui of an artist of international stature. Life has also forged him that day was 12 km on foot to go to college. Despite the endurance and suffering, not least Hamid continues to be interested in painting it is especially encouraged by his teachers, Ms. Aziz and Mahmoud Djohra Mekhloufi. In a sort of friendship infallible, painting and Hassane not leave more. A relationship passionate. breathe Him art, and painting makes this love him faithfully. bachelor After his failure, the child of the Aures, the image of his generation, pass
several competitions. It begins by entering the School of Fine Arts in 1987 Batna, where for three years he consolidated his knowledge of painting. From this passage are born from friendships with other artists like Abdessemed, later became a painter artist of international stature, and many others who have also made ??progress in this area. He cites among others the late Allam Ammar whose works remained in posterity.
Pleasure knowledge His thirst to learn led in 1991 to the Ecole des Beaux-Arts in Algiers, where he specialized in sculpture, but this passage is stealth:. “At one point, I felt that the sculptors distort things which, in my opinion, already carved. This is what made ??me come back to the painting, “says Hassan. Actually, he returned to his first love, nature, landscape and especially the stone which later became the Gordian knot of all his works: “I am very attached to nature and landscape rocky my hometown I was able to develop an artistic and philosophical language through. and stone.
” This is a turning point in the artistic life of Amraoui who rightly considers that the stone is a timeless element: “The evidence, all civilizations have memorized their history in stone” is . he keeps repeating the step is taken and Hassane now specializes in rock engravings in the Tassili and the Aures which, for him, are all one. universe “The rock carvings are a prehistoric open-air museum.
” The last stand in this world, Our artist has found answers to all the questions that have always tapped her mind. A new page opens and Hassan left Algiers in search of itself, far from the cities where artificial displaces natural. Looking as other lands where his art would be considered at its fair value. But before leaving, he signed some sort of honor baroud, resulted in several exhibitions in the University of Bouzaréah, those of Constantine and Oum El-Bouaghi and finally the seat Aures El- Kahina. He soon realized that his work does not find a buyer in the country. Reason why he decided to go away from the misunderstanding. It is often also surprised to think that if he had to choose between heaven and exile, he would opt for the second solution. Tunisia will be a drop point. begins a new path for the marginal very quick to slam everything to start a new life. Amraoui refuses degradation. It is a pride that sometimes borders on the ridiculous: “I rented a studio in Sidi Bou Said, a suburb tunisoise where I met Nacer Boudjou, journalist and artist who now lives in Belgium. He told me about El Teatro, the equivalent of Mama Algiers, and Mahmoud Shibli, gallery and artist photographer. “Once contact is made, the latter, looking at my paintings, accepted the idea of the exhibit in the gallery My first exhibition in this country. entitled “Tifrène, Tassili revisited.” What followed then several other shows including “Imazighen Blues.” Very sought by the press there, gaining notoriety Hassane .
Several newspapers have praised this artist out of nowhere. He returned to Algeria, just to relax. Tassili, my passion he discovered the Tassili vast desert which his admiration limitless. “I started backpacking through the desert that gradually I discovered. I put all my resources for the benefit of this discovery for me is the most beautiful of my life. “For five years, the artist isolates to paint paintings on sand dunes. But once its work is completed, he returned to Tunisia leaving all his paintings in Algeria. “Once in this country, I paint what I keep in my being,” says Amraoui who have very bad memories of his exhibition at the Palace of Culture when without any reason, his paintings have been removed. “I have not even sought the reasons for this action, because the answer I know from my childhood .
Hopefully these attitudes will change one day.
” In 2005, he took his inseparable bag and sets out to conquer the art of other cultures and other attitudes. He landed in Montreal. With its Tunisian experience it will soon feel. In 2006 he held his first exhibition “Where is the world?” in moose country. He went on to several other solo and group exhibitions. His works are fascinating to the point that is too often sought .
Moreover, it will explain in a few days Cherbrouk and Niagara University in Ottawa. In this country, he found respect and consideration for both humans as culture. But it does not matter s ‘there permanently as he vows to his country an immeasurable love, excessive.
Though his wife and daughter, Daya and Numidia, live, Algeria is irreplaceable for him. Hassan went back to Canada after the meeting. It has lost none of its vitality, the smile still on his face and he never keeps launching words in their native language even if those around him do not understand anything. As if waiting for another slap but this one more friendly than he received when he was a kid. Z. K
Montreal
September 4, 2013 6:56:22 DST Montreal15 ° New Hassan Amraoui painter and universal prophet 06-03-2012
Hassane Amraoui painter and universal prophet By Yves Alavo
Over the past two decades, this prolific artist of exceptional talent and creates exhibits in solo and group, in the most prestigious places in Africa North Africa (Algeria and Tunisia in particular), Europe (France) elsewhere on the continent mother Africa (in 2007, he participated in a group exhibition in Libreville Gabon) and also the last four years, it is now on the cultural scene in Montreal. It is among the most acclaimed Diversity professional artistic Montreal (DAM) under the Montreal Arts Council (MAC). It is engaged in promoting traditional pictorial language arts first sprung from the Amazigh Berber culture and, founding a native ancient artistic expression of the Mediterranean.
With this deep roots in a cross-culture inspired art of the Renaissance and married expressions Arab-Berber and black African, trained in modern techniques and confronted with universal expressions as painting traditions in all visual arts, Hassane Amraoui is imposed by the quality of his works. In Montreal, Hassane Amraoui quickly went pace with a changing cultural movement stamped with the seal of the diversity of cultural expressions and the resulting new professional artistic practices.
He took part in the sixth exhibition duCollectif Bain Mathieu in 2008.
Hassane Amraoui also presented a solo exhibition entitled Where is the world?, To Crescent Contemporary gallery still in Montreal in 2006. Hassane Amraoui achieved in his country of origin, Algeria, several frescoes between 15 and 40 m in caves and on rocks. Between 1997 and 2005, Hassane Amraoui exhibited in most major Tunisian galleries and Algeria, as well as the City of Paris (2001).
His works are exhibited in various public places (buildings, hotels, banks) including the Museum Hotel Hasdrubal Prestige Djerba has. There are also his works in different collections in Europe and the Arab world including paintings acquired by the buying commission of Tunisian artists to question the state.

Arts degree from the National School of Batna (Algeria) and the Graduate School of Fine Arts in Algiers (Algeria). Training in photography at the House of Algiers press. He also attended many training and participated in workshops on technical development, administrative in Europe and Canada.
During the fall of 2012, October and November, a special exhibition (at the Chapelle historique du Bon Pasteur), both attempt to retrospective and prospective, will allow experts, collectors, artists, critics, fans and general public to participate in an immersion experience with a multidimensional sensory access to the works of Hassan Amraoui.
This very special occasion should also give us swim in the world of another artist, sculptor Vasil Nikov. The space will provide a cross-integration of worlds designed in different cultures which emerge from their roots and the strength of the creative opening a new fertility gives Montreal, his vocation first international cultural metropolis of the Americas. This is Mehdi Benboubakeur should ensure the artistic direction.
Data Synthesis: For 20 years, this prolific artist of exceptional talent creating and exhibiting in solo and group exhibitions in the most prestigious venues in North Africa (Algeria and Tunisia especially) Africa, Europe (France) around the world. Hassane Amraoui “is committed to promoting traditional pictorial language of Primitive Arts sprung from the Amazigh Berber culture and, founding an ancient art form originated in the Mediterranean basin.
With this deep rooted in the traditions of a cross-culture inspired art of the Renaissance and married to Arab-Berber and black African expressions.
” We can say that most critics or observers visual art specialists, journalists or writers artistic fields of specialty media today in the West, yet have little capacity to perceive, understand and even less analyze a work as complex and rich ferment of innovation, creativity and calling into question the criteria and existing dogmas of contemporary aesthetics. I wish you happiness and grace to experience one day to go in and let you soak in the grace that comes from the workshop Hassane Amraoui.
It is the famous 2065, the Parthenais the 3rd floor (303A), buildings Grover, par excellence, instead of artists’ studios and many advertising agencies, design. Will see its unique texture works, power suggestive huge and are truly prophetic. Indeed, Hassane Amraoui was the precursor of Spring and Middle East (works in 2007 or 2957 according to the Berber calendar). This revolution in 2011 swept the dictatorship and continues to eradicate the bloody regime of Bashar al-Assad of Syria, he described several beautiful, explicit and so beautiful colors and evocative works with. Com on the exhibited before the Revolution.
We are in the era of 2962 Amazigh, Berber calendar (12 yennayer, January 12, Berber New Year). A history dating back to 10,000 years before Christ. The story there is content creation and production. In this perspective, regarding this work so complex and yet a fresh acceptance of our minds, we are now convinced that the artist has Amraoui this spatial and temporal advantage in cettekinesthésique the advent in the process of Focus metaphysical world works. Which gives an advantage to the artist, his creations, innovative decisive. I recommend, for visionaries, serious collectors who can manage the forefront to benefit from the discovery of the works and creations of the artist Hassan Amraoui total.
Artist senior executive, he is a pioneer in the twenty-first century, its current work confirmed, the art of globality, as so well documented Richard Conte in an article in September 2011. http://www.artslant.com/global/artists/show/52493-hassane-amraoui out several of his works: http://www.artslant.com/global/artists/show/52493-hassane-amraoui?tab A work = ARTWORKS (The tribe of the sun) Hassane Amraoui was selected in 2009 for the price of intercultural contest Montreal, Abe Limonchik price. In 2010 the price of the poster contest PanAfrica Film Festival (Vues d’Afrique) in Montreal and an exhibition within the Month Black History Gaston-Miron Building Arts Council of Montreal.