Hany Abdelbadee is an Egyptian sculptor, born September 1, 1973. His full name is Hany Ali Abd El-Badeh Ali Ali, but everyone just calls him Hany. He studied sculpture in Egypt and has been working with stone and bronze for years. He’s part of a generation of Egyptian artists who grew up after the big names like Adam Henein, but he’s carrying that same heavy tradition forward.
His work is about form and feeling. He carves figures that arent quite realistic but not fully abstract either. They sit somewhere in between, like memories of people rather than portraits. He works with local materials, granite and basalt from Aswan, which connects his sculptures to the land itself. You can feel the weight of Egypt in his pieces, the ancient and the modern all tangled up together.
He once said, “Art is a universal language for intercultural communication.” That quote isnt just talk. He actually lives it. In 2017, he was part of a group called “Art Without Borders” that took 21 Egyptian artists to Rome for an exhibition. They wanted to break down barriers and show that art can connect people across cultures. He believes in that deeply, and his sculptures reflect that openness.
Q: What materials does Hany Abdelbadee work with?
A: He works mainly in stone and bronze. He’s been part of the Aswan International Sculpture Symposium, which is a big deal for sculptors in Egypt. That symposium is held in the granite quarries of Aswan, so he’s had the chance to carve some pretty massive pieces right there in the desert.
He’s not just a sculptor. He also holds a doctorate, which is why some people call him Dr. Hany Abdelbadee. He’s been exhibited internationally, including in Italy as part of that Art Without Borders show. His work fits into a larger conversation about Egyptian identity, about how to be modern without losing touch with the past. That’s a tightrope, and he walks it well.
Q: Where can I see his work?
A: He’s shown in group exhibitions in Egypt and abroad. The Aswan symposium pieces are often installed in public spaces, so if you’re ever in Aswan, you might run into one of his sculptures without even knowing it. He’s also been part of shows in Rome and other European cities. He’s not the kind of artist who shouts for attention, but his work has a quiet presence that stays with you.
